Pass on that one. The Artleys were just regular flutes and still are although the recent ones are actually Armstrongs. The Wilkins model was the best they had but none had a very good headjoint. The 9-O is OK, but don't go too high. This Game Is Cracked And Highly Compressed Game. Sneak thief download. Sneak Thief Free Download Sneak Thief Free Download Full Version RG Mechanics Repack PC Game In Direct Download Links. This artley flute serial number a preowned flute that is in fair condition, there are scratches and wear from prior use. Panasonic pv-gs300 driver like 50 or 60's. Paint tool sai free full. It has some scratching and a ding on the piece with numbr lip plate. What model 17-0 or 18-0, or something else? Under the artley sign there is no model number on it though it just says Artley ELKHART IND. Vintage Artley Flute Serial question 18:12 on Tuesday, May 22, 2007 JButky (657 points) Posted by JButky. The serial number snafu is pretty interesting, But it still looks like a regular old. I would sell one in nice condition with good pads in the $300 range. The company was owned by Conn from about 1960. Interesting, I originally owned a 9-0, but then found a new 6-0 in a pawn shop, very cheap. At that time (30yrs ago) I didn't see a point to keeping both, so I sold one, and the first person to come by wanted the 9-0, so I've been playing the 6-0 (same all-silver, but closed-hole) ever since. I've picked up other flutes & played them, but have never found one that sounded as good. Now, I admit, I haven't tried many of the mult-thousands of dollars ones, but the times I did, I couldn't grasp what made them 4-10x the price of what mine would be new today. I love the fat, warm tone I get, and have been complimented by many people over the years, often mistakenly assuming I've been classically trained (ha). My first influences on flute were Johnny Almond (of the late 60s Mark-Almond Band), Roland Kirk, Herbie Mann, Paul Horn, Tull, Tim Weisberg, Jeremy Steig, Sonny Fortune, Joe Farrell, Hubert Laws, etc. Etc.and I'm not a big fan of the very bright, more piercing tone of say Nelson Rangell, Nestor Torres, & Dave Valentin (altho I like their playing). Anyway, my attitude toward flute was set in my first couple years of playing, when I saw a cat in a bar in Chicago who was a monstrous player, with a tone like Hubert Laws. When I asked him what flute he was using, he showed me a STUDENT BUNDY, nickel, closed-hole, axe! I knew from then on, with the flute, it's far less the axe than the player. I've picked up a few off Ebay to use as backup, had a couple Wilkins, but was not so impressed (thought I would be), and in fact, have a student Artley I use around the house, that if I had to, I'd feel fine playing on a gig. I think it all comes down to our own individual anatomy, lips/mouth/hands/lungs, etc., as well as just the general comfort level, and not simply the flute. Bruce, if you are very knowledgeable/experienced on flute, or any others here who's main axe might be flute, could you tell me what qualitatively you actually experience in a mega-thousand dollar flute over a lesser, solid silver one. Plus, unfortunately, it's very difficult to find any of the top of the line models, made in closed-hole, offset G. I know they can all make you one, but it would be nice to be able to try some out, and most stores never have them. My wife plays a lovely Artley O-15 open-holed model made in Elkhart. I bought it for her new in 1982 when I was 17 and she was 16. She was very discouraged because the old cheap nickel plated flute her parents bought her just wouldn't play well at all.
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